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Edition # 10/16 is framed in a light maple molding with window mat and plexiglass $600.
Edition # 10/16 is framed in a light maple molding with window mat and plexiglass $600.
Tom Prochaska
Mt. Transfer, 2004
Etching on cotton
image 5 x 7 3/4 in
paper 11 1/4 x 15 in
frame 14 x 17 in
paper 11 1/4 x 15 in
frame 14 x 17 in
Edition of 16
PRO134
Copyright by the Artist
$ 600.00
Edition # 10/16 is framed with maple molding, window matt and plexiglas. Unframed editions available for $350. And included in the Froelick Gallery 30th Anniversary exhibit, October 2025. In 2014,...
Edition # 10/16 is framed with maple molding, window matt and plexiglas. Unframed editions available for $350.
And included in the Froelick Gallery 30th Anniversary exhibit, October 2025.
In 2014, Tom Prochaska and Christy Wyckoff traveled and camped at various places identified in the paintings and prints of Charles Heaney. Each responded in their own way to the landscapes they visited, however, one can see the influence of Heaney in the earlier work of Prochaska. Charles Heaney, one of Oregon's most noted 20th-century artists drew upon the landscapes of Oregon and Nevada for his paintings and prints. His depictions were not straightforward documentations from direct observation, but images filtered through memory, imagination and personal vision. In early 2005, the Hallie Ford Museum of Art at Willamette University mounted the exhibition, "Charles E. Heaney: Memory, Image, and Place." It is in this time period that Prochaska printed his etchings and aquatints: Mt. Transfer (2004), Mt. Delay (2004), Back Island (2005), Dry Creek (2005) and Finger Lake (2005).
And included in the Froelick Gallery 30th Anniversary exhibit, October 2025.
In 2014, Tom Prochaska and Christy Wyckoff traveled and camped at various places identified in the paintings and prints of Charles Heaney. Each responded in their own way to the landscapes they visited, however, one can see the influence of Heaney in the earlier work of Prochaska. Charles Heaney, one of Oregon's most noted 20th-century artists drew upon the landscapes of Oregon and Nevada for his paintings and prints. His depictions were not straightforward documentations from direct observation, but images filtered through memory, imagination and personal vision. In early 2005, the Hallie Ford Museum of Art at Willamette University mounted the exhibition, "Charles E. Heaney: Memory, Image, and Place." It is in this time period that Prochaska printed his etchings and aquatints: Mt. Transfer (2004), Mt. Delay (2004), Back Island (2005), Dry Creek (2005) and Finger Lake (2005).