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V. Maldonado

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Open a larger version of the following image in a popup: V. Maldonado, land acknowledgement - aqui no hay madres, 2024
Open a larger version of the following image in a popup: V. Maldonado, land acknowledgement - aqui no hay madres, 2024
Open a larger version of the following image in a popup: V. Maldonado, land acknowledgement - aqui no hay madres, 2024
Open a larger version of the following image in a popup: V. Maldonado, land acknowledgement - aqui no hay madres, 2024
Open a larger version of the following image in a popup: V. Maldonado, land acknowledgement - aqui no hay madres, 2024
Open a larger version of the following image in a popup: V. Maldonado, land acknowledgement - aqui no hay madres, 2024
Open a larger version of the following image in a popup: V. Maldonado, land acknowledgement - aqui no hay madres, 2024
Open a larger version of the following image in a popup: V. Maldonado, land acknowledgement - aqui no hay madres, 2024

V. Maldonado

land acknowledgement - aqui no hay madres, 2024
acrylic on canvas
83 x 138 inches unstretched
MAL373
$ 15,000.00

Further images

  • (View a larger image of thumbnail 1 ) V. Maldonado, Joy Telling Me Everything All At the Same Time, 2022
  • (View a larger image of thumbnail 2 ) V. Maldonado, Joy Telling Me Everything All At the Same Time, 2022
  • (View a larger image of thumbnail 3 ) V. Maldonado, Joy Telling Me Everything All At the Same Time, 2022
  • (View a larger image of thumbnail 4 ) V. Maldonado, Joy Telling Me Everything All At the Same Time, 2022
  • (View a larger image of thumbnail 5 ) V. Maldonado, Joy Telling Me Everything All At the Same Time, 2022
  • (View a larger image of thumbnail 6 ) V. Maldonado, Joy Telling Me Everything All At the Same Time, 2022
  • (View a larger image of thumbnail 7 ) V. Maldonado, Joy Telling Me Everything All At the Same Time, 2022
  • (View a larger image of thumbnail 8 ) V. Maldonado, Joy Telling Me Everything All At the Same Time, 2022
The artist recalls their father proclaiming there were 'no mothers' in the migrant fields they were working in. Possibly an attempt by V.'s father to give his child a tool...
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The artist recalls their father proclaiming there were "no mothers" in the migrant fields they were working in. Possibly an attempt by V.'s father to give his child a tool of survival. Perhaps a way to harden V and to reinforce being a "hard worker", a stereotype usually related to Mexican bodies in labor. However, the idea disturbed V. It was militant, aggressive and hostile.

There are in fact women who work the migrant fields alongside men. Unfortunately, these women are often in danger of sexual abuse, violence and misogyny.
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Exhibitions

2024 - ojo de aguila, Froelick Gallery, Portland, OR.
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